Archives

The Postmodern Turn in Cronenberg’s Cinema:

Possibility in Bodies

Digital Duende:

Reading the Rasp in E-Poetry

Signs of Life:

Relational Aesthetics and the [murmur] project

Illusion and Iconoclasm in Emmanuel de Witte’s A Sermon in the Old Church in Delft

Reconsidering the ‘Obscene’:

The Massa Marittima Mural

Legitimizing the Artist:

Avant-Garde Utopianism and Relational Aesthetics

Matching Bodies, Matching Souls:

(re)constructing gender in Patti Smith and Robert Mapplethorpe’s Horses photograph

Iqqaipaa / I Remember:

Spatial and Temporal Constructions of Identity in the Museum

When Seeing is Believing:

Women, Alcohol and Photography in Victorian Britain

“The Magical Power of Words”:

Font and Ideology in Western Newspapers

Clement Greenberg:

A Political Reconsideration

9/11 TragiComix:

Allegories of National Trauma in Art Spiegelman’s In the Shadow of No Towers

(Re)visioning Heterotopia:

The Function of Mirrors and Reflection in Seventeenth-Century Painting

Borromini’s First Encounter with the Unique Architectural Designs of G.B. Montano

‘Fixed by so much better a fire’:

Wigs and Masculinity in early 18th-century British Miniatures

The Evolution of Conservation and Disaster Planning in the Face of Disaster:

Responses to the Florence flood of 1966 and to the 2005 flood in New Orleans